This project examines the sculptural potential of everyday items reordered into provisional configurations through play and material contrast. Taking Duchamp's readymade and Jane Fulton Suri’s Thoughtless Acts as foundational references, I work with mass-produced objects, tools, hardware, and domestic fragments,
subjecting them to simple operations of stacking, clamping, suspending, and balancing. The aim is not transformation, but extraction: drawing out tensions already latent in their material logic compression and resistance, weight and
counterweight, hard and soft. Each configuration becomes a condensed confrontation of physical, symbolic, and associative forces held in precarious equilibrium. The result is a body of sculptural propositions that reframes the overlooked hardware of daily life as a site of play.